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    <lastmod>2022-06-10</lastmod>
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      <image:title>Home</image:title>
      <image:caption>Letters from Home. University of California, Irvine. February 2020. PC: Hsuan-Kuang Hsieh. Pictured: Kalean Ung.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61e5b197defd334d3370bf23/f36be1b7-cb8c-4392-ab03-9a1979319388/CIA_20190321_28618.JPG</image:loc>
      <image:title>Home</image:title>
      <image:caption>Sweat. CalArts. March 2019. PC: Ben Wilson. Pictured (Left to Right): Elizabeth Waller, Noah Jordan Cott, Linda Marie Burns.</image:caption>
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      <image:caption>King Lear. CalArts. November 2019. PC: Jenny Graham. Pictured (Left to Right): Lydia Li, Brian Drummy, Takalay Hamill, Likun Jing, Tony Torrico.</image:caption>
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      <image:title>Home</image:title>
      <image:caption>Hedda Gabler. CalArts. November 2018. PC: Kial Hocker. Pictured: Annie Laurie Daniel and Ryan Perez Adame.</image:caption>
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      <image:title>Home</image:title>
      <image:caption>The Suburbs. Thrown Stone Theatre Company. Summer 2021. PC: Chuck Jennes. Pictured: Maya Carter.</image:caption>
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      <image:title>Home</image:title>
      <image:caption>The Suburbs. Thrown Stone Theatre Company. Summer 2021. PC: Chuck Jennes. Pictured: Tenisi Davis and Nedra Snipes.</image:caption>
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  <url>
    <loc>https://www.jordanemoore.com/about</loc>
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    <lastmod>2022-03-19</lastmod>
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      <image:title>About</image:title>
      <image:caption>Jordan E. Moore is a freelance theatrical and event stage manager primarily based out of Connecticut and New York. She is a proud member of Actors’ Equity Association (AEA) and holds a MFA in Stage Management from California Institute of the Arts (CalArts). A passionate story-teller, Jordan has managed both new works and re-imagined classics onstage. Favorite regional credits include: The Suburbs (Thrown Stone Theatre Company) and It’s A Wonderful Life: A Live Radio Play (Pasadena Playhouse).  She has also done various work at theaters such as NewYorkRep, Musical Theatre West, the Oregon Shakespeare Festival, the Old Globe, and the John F. Kennedy Center. While at the Kennedy Center, she worked backstage on high-profile events such as The Kennedy Center Honors. During the time of the COVID-19 pandemic, Jordan has shifted to the virtual realm of live performance with The Road to Disappointment (American Theater Group), Letters from Home (Boston Court Pasadena), and Oregon Shakespeare Festival’s upcoming The Cymbeline Project (coming November 2022). Jordan also served as a line producer for Play on Podcasts’ adaptation of King Lear (now available wherever you get podcasts).</image:caption>
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    <lastmod>2022-01-28</lastmod>
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      <image:title>Contact - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <lastmod>2022-06-10</lastmod>
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